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Early Grrrl

The Early Poems of Marge Piercy

Call it “No Byyys Allowed.” In this sampling from four now out-of-print volumes of her poetry, Marge Piercy has dedicated it to “grrrl” power, the we-are-woman roar of the zines and poetry slams generation, that is, for the daughters of the women who read Fear of Flying. It is a slender peg for a Pulitzer Prize nominee (for her most recent volume) to hang a collection on. Piercy has a casual potter’s wheel dash to her work. It only looks easy till you try to imitate it, and imitations abound. She has some throwaway lines. Some wobble and collapse with dated polemic (the first poem beginning “the man talks / the woman listens” is women’s collective smug justification). But between her lush gardening metaphors and the rainy skies of Nixon’s Vietnam, she can say something worth musing on:

Total defense

implies a dream of total surrender.

The landscape of poetry already has enough self-promoting billboards on it. For those who cannot live by Jewel’s liner notes alone—or Joni Mitchell’s—making the “I” of verse sing is a necessary thing. Like Margaret Atwood, whose controlled scathing humor she most resembles, and Adrienne Rich, Piercy is still at the battlements of poetry, exhorting and encouraging those to follow her footsteps.

Reviewed by Leeta Taylor

Disclosure: This article is not an endorsement, but a review. The author of this book provided free copies of the book to have their book reviewed by a professional reviewer. No fee was paid by the author for this review. Foreword Reviews only recommends books that we love. Foreword Magazine, Inc. is disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.

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