A Stranger's Journey

Race, Identity, and Narrative Craft in Writing

David Mura’s A Stranger’s Journey is a thoughtful, nuanced, necessary look at how the subject of race is handled in fiction, memoir, and the creative writing classroom.

Mura’s book has two main goals: to explore questions of race and identity in writing and to present tools for effective storytelling. It is an instruction manual for writers and a call for more careful thinking, especially on the part of white readers and writers, about how racial identity is portrayed and discussed. It is also, in part, a memoir of Mura’s journey as a writer.

Mura’s arguments about race are powerful and convincing. Students of color who write fiction that addresses racism and injustice often get marginalized and dismissed as “too political.” Mura argues, instead, that all writing is political; assuming whiteness as a norm is itself a political statement. He backs up his points with illuminating close readings of texts by writers whose handling of race disappoints and by those who more successfully capture the complexity of their characters. His ideas about how authors write toward particular audiences are especially compelling.

The sections on story structure are similarly useful for writers struggling with their material. Mura’s suggestions are practical and are illustrated with compelling examples, including ZZ Packer, Mary Karr, and Maxine Hong Kingston. An appendix includes writing assignments to help solve common problems.

Mura’s account of exploring his identity as a Japanese American and struggling with story in his two memoirs adds a personal touch. His main audience is writers and writing teachers, but any reader interested in thinking deeply about how identity and race manifest themselves on the page will find the book valuable.

A Stranger’s Journey is an essential work of literary criticism and memoir, challenging readers and writers alike to think about writing, race, and identity in new ways.

Reviewed by Rebecca Hussey

Disclosure: This article is not an endorsement, but a review. The publisher of this book provided free copies of the book to have their book reviewed by a professional reviewer. No fee was paid by the publisher for this review. Foreword Reviews only recommends books that we love. Foreword Magazine, Inc. is disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.

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