Foreword Reviews

She Is Haunted

Grief and reckoning take many forms in Paige Clark’s expressive collection She Is Haunted.

Haunting is most often a regret that tethers one to a place or people: that is the concept at the core of this collection. Every character is haunted by something with which only she can wrestle—or so she thinks.

The woman at the center of “Elisabeth Kübler-Ross” is haunted by the fear of loss. In a mimicry, in part, of the five stages of grief, she denies the type of relationship that God assumes she has, bargaining with God for her unborn child; she becomes depressed at the loss of her mother, and finally accepts that she may have to continue losing things to God to keep her child. It is a riveting exploration of the absence of control. And the woman featured in “A Woman in Love” is also haunted by that lack of control: her grief over the loss of her marriage and a terminated pregnancy manifests in destructive behavior as she tries to exert control over a situation in which she has none.

Quieter stories observe the intersectionality of being an Asian woman. In one, two women have a small, profound realization about their shared haunting by racism and fetishization. Another looks at generational differences between a mother and a daughter, surveyed quantum-mechanics style, as though one has died and the other lived. Elsewhere, grief is overwhelming, as in “Times I’ve Wanted to Be You” and “Dead Summer,” about the loss of a loved one—of a husband in the former tale, and a mother in the latter. These hauntings are too big to grasp, let alone figure out how to live with, and yet the prose suggests that live with it women do.

Steeped in longing, the stories of She Is Haunted celebrate the messy strength of women.

Reviewed by Dontaná McPherson-Joseph

Disclosure: This article is not an endorsement, but a review. The publisher of this book provided free copies of the book to have their book reviewed by a professional reviewer. No fee was paid by the publisher for this review. Foreword Reviews only recommends books that we love. Foreword Magazine, Inc. is disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.

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